NEWS
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SFFS: SF International closes its 51st
Press release: "The San Francisco Film Society wrapped its 51st San Francisco International Film Festival (April 24 – May 8) with 292 screenings, 150 filmmaker guests and more than 70... more
SEEN
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Golden Gate Award winner for Best Documentary Feature Yung Chang poses with his uncles—Wilson and Howard—who he thanked from the stage at the California Culinary Academy Wednesday night.
Rich text: Critic B. Ruby Rich questions the questioner, Errol Morris, about "Standard Operating Procedure" during SFIFF51. The film plays the Bay Area this week. (Photo by Tommy Lau, courtesy SFFS)
"Standard Operating Procedure" and the stories we tell
SF360 asked Bay Area writers and fans to comment on the films of SFIFF51. Stephen Elliott reports from the April 29 Persistence of Vision screening of Errol Morris’s Standard Operating Procedure, opening May 9. The screening was preceded by an onstage conversation between B. Ruby Rich and Morris. This story appeared originally in SF360.org on April 30.
He calls it the "Interrotron." The way Errol Morris interviews a subject is to speak into a camera. His image is then projected on a screen and the interviewee responds into the camera. It’s like a teleprompter that allows the game show host or newscaster to speak directly to you while reading her lines. And that’s the feeling of Morris’ films of the last 15 years, particularly The Fog Of War, featuring former Secretary of Defense Robert McNamara: that the subject is speaking directly to the audience. And that’s the feeling of Standard Operating Procedure. The interviewees, primarily the low level military police on duty at Abu Ghraib prison who participated in and photographed the torture of Iraqi prisoners deep inside the war zone, are talking to you.
topics: directors, documentary, political film, reviews, san francisco international film festival
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BLOGS
Film Comment. May/June 08.
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"You can think of it as The Sound of Music meets Quest for Fire, or Jesus Christ Superstar rocks Land of the Lost," writes theater and film critic Robert Avila... more
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