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  • The jury is in

    San Francisco actress and filmmaker Joan Chen enjoys a screening at a Japanese film noir retrospective at Spain’s San Sebastian International Film Festival September 25 after finishing her stint as... more

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  • NYFF. Hunger.
    "For all its grimy aesthetic beauty and stylishly horrifying images of bodily abuse and decay, the most powerful impression made by Hunger is a stationary 20-minute single-take conversation between imprisoned IRA lead...
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  • Mill Valley Film Festival --Oct. 2-12

    This venerable North Bay Film Festival opens Thursday with Larry Charles and Bill Maher’s Religulous along with Gina Prince-Bythewood’s The Secret Life of Bees, and continues for 10 days with... more

Topic: science fiction

Screen savor: "Imagine all surfaces in our lives becoming potential screens," Kevin Kelly told the audience at San Francisco International Film Festival. (Photo by Pamela Gentile)

Insider

Kevin Kelly: State of Cinema address

[Editor’s note: What follows is the State of Cinema address Kevin Kelly offered an audience Sunday, May 4, 2008, at the San Francisco International Film Festival.]

Welcome, welcome, welcome! This lovely theater here got dark and I thought, "Oh, great! It’s a movie! I can just sit back." I completely forgot that I have to give a talk. I would just love to sit here. Thank you to the San Francisco Film Festival for inviting me to speak on speculations on the future of where motion pictures are going. My role, I think, is to describe what I see as a little bit of an outsider. My method for doing this is very simple: to come [at it] as an outsider. We’re sitting here in a fantastic movie theater, but in fact more people see movies in airplanes than watch them in theaters. Airplanes and portable DVDs. But the movies aren’t made, usually, with that in mind. So what I’m trying to do is listen to the technology. Carver Mead, a technologist said, "Listen to the technology; see what it wants to say." And for the next 45 minutes, what I’m going to try to talk about is what I think the technology is telling us. The technology around moving pictures, motion pictures.

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Rivera crossing: "Sleep Dealer" filmmaker Alex Rivera reflects on budget sci-fi and world issues during the San Francisco International. (Photo by Pat Mazzera)

Found

Q&A: Alex Rivera, "Sleep Dealer"

Alex Rivera’s debut feature Sleep Dealer was developed at the 2000 and 2001 Sundance Institute Feature Film Program labs and won the 2002 Sundance/NHK award and a 2004 Annenberg Feature Film Fellowship. It then moved on to win two major awards at the 2008 Sundance Film Festival. Rivera and David Riker won the Waldo Salt Screenwriting Award for outstanding achievement for their screenplay and Sleep Dealer was also the recipient of this year’s Alfred P. Sloan Prize. The Prize, which carries a $20,000 cash award to the filmmaker provided by the Alfred P. Sloan Foundation, is presented to an outstanding feature film focusing on science or technology as a theme, or depicting a scientist, engineer or mathematician as a major character. Sleep Dealer was selected "for its visionary and humane tale of a young man grappling with a technological future in which neural implants, telerobotics and ubiquitous computing serve a global economy rife with fundamental challenges and opportunities, and for its powerful and original storytelling and direction."

While screening as part of the 51st San Francisco International Film Festival, the U.S. distribution rights for Sleep Dealer were picked up by Maya Releasing, which intends a theatrical distribution in February 2009. This decision was being reached even as the charmingly kinetic Alex Rivera and I sat down to discuss his film.

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