Topic: filmmakers
DIY sci-fi: Brant Smith (DJ Bad Vegan) is shooting his latest "In-World War" at a variety of Bay Area and international locations. (Photo courtesy filmmaker)
Bay Area narrative filmmakers are thriving in doc capital in '09
When I received the proposal last January to write a weekly “In Production” column for SF360.org, I had no concerns about finding sufficient material—that is, local works in various stages of progress. As you well know, the Bay Area is the only place in the country outside of the industry town of Los Angeles and the megalopolis of New York that could sustain a weekly column on independent filmmaking. The challenge I expected was (un)covering a halfway respectable number of narrative features to balance the famously overwhelming output of documentary makers. But as the year unfolded, the trickle of fiction films built to, well, not a flood but a very healthy stream—in the middle of a depressing recession. While I’m not quite ready to anoint the Bay Area as Indiewood North (or West), I have found that something’s certainly going on.
topics: activism, actors, bay area, digital distribution, digital filmmaking, directors, distributors, diy, documentary, features, filmmakers, frameline, independent film, mill valley film festival, narrative feature filmmaking, san fra, san francisco international film festival
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Coraline ventures forth: Henry Selik’s adaptation of a Neil Gaiman story took family entertainment several steps farther into the macabre. (Photo courtesy Focus Features)
Graphic transformation: Animation rises, CGI sinks in 2009
Science fiction has often dwelt upon the fear that machines will overtake man—which of course they kind of have, from the Industrial Revolution through the Digital Age, in terms of lessening the need for manual labor or even organic brainpower. But while technology may have taken some jobs, polluted our environment, etc., it hasn’t yet completely stolen humanity’s place in the scheme of things.
Except, one could argue, in the realm of movies. With this year’s summings-up extended to considering our first post-millennial decade, it’s a good moment to consider where mainstream cinema has gone since CGI sank its bloodless talons into the already less-than-exquisite corpse.
topics: animation, anime, bay area, comedy, cult cinema, filmmakers, genre films, hollywood, independent film, internet, red vic movie house, sf international animation festival, world cinema, youth
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Painting the White House red: The Cockettes' "Tricia's Wedding" (1971) put a new spin on the First Daughter's nuptials. (Photo by Scott Runyon; courtesy of Fayette Hauser).
The Cockettes' celluloid afterglow still strong at 40
As a performing ensemble, The Cockettes were relatively short-lived. (So, sadly, were many members due to the AIDS crisis a decade later.) But their influence has been large, and seems ever more recognized. At present next-generation alternative S.F. theatre troupe Thrillpeddlers is passing the six-month mark with its surprise smash-hit revival of the Cockettes’ camp operetta Pearls Over Shanghai, currently extended through January 23.
It now includes an “Afterglow Floorshow” reprising numbers from other original Cockettes shows to honor the 40th anniversary of the troupe’s founding. That same milestone is marked Thursday by a one-night-only SFMOMA program you might kick yourself from here to eternity for missing.
The Cockettes on Film, at 40! sounds as good as it could possibly get for those of us too young or geographically disadvantaged to have experienced the group’s heyday in the flesh.
topics: activism, actors, diy, experimental film, film history, filmmakers, gay lesbian cinema, genre films, sfmoma
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A challenge to filmmakers
Usually I use this column to address specific legal problems that come up when producing a film. I’m not going to address a legal concern this time, but instead, speak to a larger issue that I feel is rarely discussed: the lack of quality independent filmmaking today.
topics: authors, bay area, distributors, diy, film festivals, filmmakers, independent film, legal issues
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How to entice and reward potential donors
So you’re drafting a fundraising prospect list for your indie film. Looks like it’s shaping up to be the most extensive list of individual donor prospects known to mankind. Good job! It covers your personal connections (everyone from Uncle Ernie to your former Econ 101 professor), people your personal connections can introduce you to who care about the same issues your film covers and known suspects in the community who just love film. You have really done your homework and you even know how much you plan to ask each one of these prospects for. So what’s the problem? Well, I’ll bet you know what you want from them. But do you have any clue what they want from you?
topics: bay area, filmmakers, funding, how-to
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Labor of love: Marisssa Aroy interviews her grandmother at the ranch they rented to the UFW. (Photo by Niall McKay)
Marissa Aroy unearths forgotten California history
The trailer for The Delano Manongs: Forgotten Heroes of the UFW opens with the smooth, lush strains of a Nat King Cole song, hardly the vibe one anticipates from a historical doc about rural California, immigration, organized labor and racism. Next-generation filmmaker Marissa Aroy may have a non-conformist streak, but the tune isn’t a non sequitur. Her film excavates the history and contributions of Filipino farmworkers in the Golden State since the 1920s, and the song happens to be a Filipino standard. “There’s a connection between the U.S. and the Philippines that not a lot of people know about—the colonial relationship—and having Nat King Cole brings together the ties of the two countries in an unusual way,” Aroy says.
topics: activism, bay area, directors, diy, filmmakers, funding, independent film
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Act locally: A single room in an Alameda motel serves as a setting for "Sons of a Gun," Rivkah Beth Medow and Greg O’Toole’s documentary portrait of a retired LAPD hostage negotiator and the three grown schizophrenic men in his care. (Photo courtesy SFFS)
SFFS's first annual Cinema by the Bay festival spotlights local talent
A film festival that’s long overdue arrives tonight with San Francisco Film Society’s first annual Cinema by the Bay. A wide-ranging showcase of local filmmaking, as well as a forum for the region’s influence as subject and setting in the work of filmmakers beyond the Bay, it runs through Sunday, October 25, and encompasses the straight-ahead to the avant-garde to the tantalizingly difficult to categorize (I’m thinking Etienne!) in a four-day program of features, shorts, docs and multimedia live performance from established and emerging artists.
topics: actors, audiences, avant-garde, bay area, curators, digital filmmaking, diy, documentary, dramatic films, exhibitions, experimental film, film arts foundation, film festivals, film history, filmmakers, independent film, san francisco film society
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