Critic's Notebook

SF International Asian American Film Festival Visits the Archives

A theme that emerged in this year’s San Francisco International Asian American Film Festival (SFIAAFF) was the importance of archives in the film world. The existence of film archives and restoration facilities all have a part to play in the films of Lino Brocka (who received retrospective treatment in the fest), Kim Ki-young’s 1960s classic The Housemaid, Ruby Yang’s documentary A Moment in Time (about Chinese American movie houses of old San Francisco), documentaries such as Aoki and State of Aloha that make heavy use of archival footage to tell their non-fiction narratives, and even an Austrian director’s film about representatives of the North Korean women’s soccer team, Hana, Dul, Sed….　

topics: activism, asian american cinema, asian cinema, audiences, authors, awards, bay area, blogs, sf international asian american film festival

Ask the Documentary Doctor

Social Media and Storytelling

Dear Doc Doctor: All this new social media takes time. Lots of time. In the end, will my Facebook posts, tweets or blog entries help me with the story I’m trying to tell? Or is it just more promotional work I have to do to keep the film going? I want to be a filmmaker not an Internet nerd.

topics: activism, authors, diy, documentary, women filmmakers

In Production

Hiler and Brown's ‘Music’ Salutes Symphonic Visionary

The so-called culture war is over, and the reactionaries have won. I recall with nostalgia Jesse Helms’ condemnation of the NEA for funding Marlon Riggs’ queer-centric Tongues Untied, and the late East Bay filmmaker’s blisteringly eloquent response. Such public right-wing remonstrations are no longer necessary, for the simple reason that 30 years of overt and covert pressure have cast a permanent chill on Federal and state arts organizations. I daresay the anti-intellectual denigration of culture and higher education, a cornerstone of the Reagan-Bush-Bush Era, is an unacknowledged factor in the current decimation of the public university system (which is conveniently blamed on the Great Recession). In this climate, Jerome Hiler and Owsley Brown III’s Music Makes a City is nothing short of a revelation. Now in its finishing stages, the documentary revisits the remarkable mid-century revival of Louisville, Kentucky, in the wake of the Great Flood of 1937.

topics: activism, composers, directors, documentary, music

Q&A

Red Vic Reprising 'Lesh Sabreen?'

Muayad Alayan, a 24-year-old filmmaker from the only remaining Arab neighborhood in West Jerusalem, was not even aware there was such a think as Palestinian cinema until, as a teenager, he came to the Bay Area to visit his brother and sister. Later, after a stint at the Jerusalem Cinematheque, he returned to San Francisco as a film student at City College. Among his teachers was local filmmaker Christian Bruno, who this year traveled to Jerusalem as the director of photography for Alayan’s Lesh Sabreen? (Why Sabreen?, now taking donations).

topics: activism, arab cinema, bay area, exhibition, red vic movie house

Q&A

Borshay Liem’s Double Exposure of Korean Adoptions

Deann Borshay Liem’s terrific 1999 documentary First Person Plural recounted her experience as an orphaned Korean adoptee raised by a Caucasian family in an East Bay suburb. Only she wasn’t an orphan, and the second half of the film is devoted to locating and meeting her birth mother and siblings. A decade later, In the Matter of Cha Jung Hee finds Liem revisiting her adoption and identity from another, equally compelling perspective. The Korean documents identified her as Cha Jung Hee, but eight-year-old Deann (as her adoptive parents christened her) knew that wasn’t her name. All these years later, the filmmaker determines to get to the bottom of the mystery, and find the person for whom she was substituted. Scheduled to air nationally on PBS’s “P.O.V.” in September, In the Matter of Cha Jung Hee has its world premiere in the "28th San Francisco International Asian America Film Festival": http://festival.asianamericanmedia.org/ this Friday, March 12 at 6:45 at the Clay Theatre, with additional screenings Saturday, March 13 in Berkeley (Pacific Film Archive) and Sunday, March 21 in San Jose (Camera Cinemas).

topics: activism, asian american cinema, directors, documentary, immigration, sf international asian american film festival, women filmmakers, world cinema

Experience

28th SF Int'l Asian American Film Festival Opens

This year’s San Francisco International Asian American Film Festival observes an organizational milestone: 2010 marks the beginning of a fourth decade for the Center for Asian American Media (CAAM), hitherto known (until 2005) as the National Asian American Telecommunications Association (NAATA).

CAAM’s and NAATA’s achievements over the last 30 years are too numerous to list here. Suffice it to say that an organization originally founded to nurture Asian American filmmakers (an effort given further muscle by strong support from the Center for Public Broadcasting) as well as counter ethnic stereotypes still prevailing in popular media (perhaps peaking with the protests against mid-late ’80s thrillers Year of the Dragon and Black Rain) has long since accomplished all that and more. Today’s CAAM can look back on helping to foster such important high-profile voices as Wayne Wang and Ang Lee, while stoking both present and future makers via its distribution, PBS presentation and funding arms.

topics: activism, actors, asian american cinema, asian cinema, audiences, bay area, sf international asian american film festival, women filmmakers, world cinema, youth

Critic's Notebook

'Village' Offers New Look at New Orleans

S. Leo Chiang, born and raised in Taiwan, knew what it was like to be an outsider in the United States, so the seemingly inexplicable rebellion of previously docile Vietnamese residents in New Orleans was an ideal subject for this documentary director.

It took him more than a year to track down bits and pieces of film from unclassified archives at the University of New Orleans that could reconstruct the untold story of what happened to the 5,000 residents of the largest Vietnamese community outside of Vietnam after the 2005 Katrina hurricane wreaked havoc on that Louisiana city.

topics: activism, asian american cinema, bay area, directors, diy, documentary