FEATURES
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28th SF Int'l Asian American Film Festival Opens
This year’s San Francisco International Asian American Film Festival observes an organizational milestone: 2010 marks the beginning of a fourth decade for the Center for Asian American Media (CAAM),... more
NEWS
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San Francisco Film Society Announces Finalists for Film Arts Foundation Documentary Grant
Press Release: The SFFS announced last week the 11 finalists and one honorable mention for the SFFS/Film Arts Foundation Documentary Grant, the newest grant to be offered by... more
SEEN
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Writer/Director James Savoca (Around June, Sleepwalk), pictured right, welcomed actor Jon Gries (Napoleon Dynamite, Jackpot, Around June) to a free mixer at the San Francisco School of Digital Filmmaking to... more
BLOGS
moreCALENDAR
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"Joseph Losey: Pictures of Provocation"—starts Mar. 5
The Pacific Film Archive surveys the work of a director who worked primarily in exile from red-baiting America, whose work, including noirs like The Prowler, persistently invokes the audience’s... more
Do ask, do tell
By Holly Million
I’ve been raising money for 20 years. During my career, I have asked people for all kinds of money for all kinds of reasons. However, whether I’m asking for $1,000 or $100,000, I have found that there are some key concepts that rule.
These are my Hella Hot Tips for how to ask people for money. The good news is that this isn’t brain surgery. It’s common sense. If you take these key concepts and use them as your guide for individual donor fundraising, you, too, will raise money.
topics: authors, bay area, diy, funding
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Road-tested rules for bang-up fundraising events
By Holly Million
Seems like lately, all the filmmakers I know are ready to party! They’re all throwing fundraising events to raise cash for their films. While I applaud their resourcefulness and dedication to a fundraising tactic of relying upon individual, not foundation, money, I confess that I tremble at the thought of what they are getting themselves into. So many babes in the party-planning woods! They are about to find out how much time, energy, resources, and focus it takes to host a successful fundraising event. How can they ensure the biggest bang for their buck and avoid getting burned?
topics: authors, bay area, directors, diy, funding, producers
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How to entice potential donors
By Holly Million
So you’re drafting a fundraising prospect list for your indie film. Looks like it’s shaping up to be the most extensive list of individual donor prospects known to mankind. Good job! It covers your personal connections (everyone from Uncle Ernie to your former Econ 101 professor), people your personal connections can introduce you to who care about the same issues your film covers and known suspects in the community who just love film. You have really done your homework and you even know how much you plan to ask each one of these prospects for. So what’s the problem? Well, I’ll bet you know what you want from them. But do you have any clue what they want from you?
topics: authors, bay area, diy, funding
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Are your “friends” worthless?
By Holly Million
There’s a lot of buzz swirling around Web 2.0 and how it’s going to change—well, everything. Indie filmmakers, too, are embracing blogs, tweets, and social-networking, experimenting with how these tools can help them cast, market, distribute, and, yes, raise money for their films.
topics: authors, bay area, directors, diy, filmmakers, funding
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On foundations and finesse
By Holly Million
Often, the difference between filmmakers who succeed at securing foundation and government grants and those who don’t is that a light bulb goes off in the heads of the successful fundraisers: They look at it as a game, with rules both written and unwritten, that need to be understood, followed and, in some cases, worked around with finesse.
topics: authors, bay area, diy, funding, independent film
moreLightening your fundraising load
By Holly Million
When Tennessee Ernie Ford sang, “You load 16 tons, and what do you get? Another day older and deeper in debt,” he may have been referring to coalminers’ back-breaking labor. Or, he may have been singing about the life of an indie filmmaker. How much did those grant proposals weigh?
If you’ve followed my columns lately, you may have noticed that in this economic nosedive, I’ve been pushing the idea of asking individual donors you might be able to sway with a personal pitch over trying to get the attention of foundations feeling the financial pinch. Here are five fairly sure-fire ways to make approaching individual donors for funding that much easier.
topics: digital filmmaking, directors, documentary film, funding, independent film
moreFrom gauche to great: How donor cultivation makes you a successful film fundraiser
By Holly Million
“I’m going to a party for a nonprofit organization specifically to meet people who might be interested in donating to my documentary," a friend writes. "I’m not (yet) a member of this organization. My question: is it appropriate to be asking for donations at the party, even though I’ve never met anyone from this group before? Any thoughts?”
What my friend is wondering is when is the right time to ask an individual for a contribution for his film. He is worried that if he isn’t bold enough, he will show up at the event to press the flesh only to miss what he sees as his fleeting chance to ask people who care about an issue — one that also happens to be the topic of his documentary — for their support. That hors d’oeuvre tray won’t be the only thing passing by, he thinks. He’s worried that his chance to fundraise will be disappearing faster than those bacon-wrapped meatballs.
topics: bay area, directors, funding, independent film, san francisco film society
moreWhat Crisis? Fundraising during an economic meltdown
By Holly Million
When the going gets tough, the tough supposedly get going. The real question is, where exactly do they go? Well, if they are indie filmmakers looking to raise money for their films, they had better go to individual donors. And when they go, they had better do so strategically, that is, armed with a thoughtful, well-crafted plan of action.
Foundations keep their assets in stocks. When the stock market plunges, those assets shrink, and that means foundations have less money to give. Less money means fewer grants. As we head toward the darkest days of the years, filmmakers will be tempted to look toward the light that potential grants seem to offer. You may be one of them, but don’t let your fundraising stop there.
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