FEATURES
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Jack Stevenson and "The Superstars Next Door"
If John Waters is “the Pope of Trash” (according to the gospel of William S Burroughs) then freelance curator and film fanatic Jack Stevenson is a shoe-in for Cardinal. The... more
NEWS
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Press release: "Celebrating the 60th Anniversary of the Universal Declaration of Human Rights, the 11th annual United Nations Association Film Festival (UNAFF) has chosen the theme Blue Planet, Green... more
SEEN
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San Francisco actress and filmmaker Joan Chen enjoys a screening at a Japanese film noir retrospective at Spain’s San Sebastian International Film Festival September 25 after finishing her stint as... more
BLOGS
NYFF. I'm Gonna Explode.
"Voy a Explotar (I'm Gonna Explode) is the contemporary Mexican teenage Pierrot le Fou," writes Karina Longworth at the SpoutBlog. "It knows this, and it wants you to know it, and it doesn't care if this makes you hat...
[From The Latest from GreenCine Daily]
CALENDAR
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"The Art Star and the Sudanese Twins"--Oct. 13
San Francisco Art Institute’s Visiting Artists and Scholars lecture series brings director Pietra Brettkelly in to talk about her fascinating Sundance-award-winning documentary, which followed international artist Vanessa Beecroft as she... more
Category: The 6th Screen
SWAG: Free feature films on the web
Acronyms and abbreviations occupy an ever increasing part of our modern lives. Some of us spend at least a small amount of time pretending we understand them (IMHO) and feeling proud we can actually use them in crossword puzzles (IMHO, the New York Times, Sunday September 14). But this one—SWAG—goes way back. In fact, according to Wikipedia, it’s actually a backronym. Which means it existed as a real word first and then collectively we made up a series of words for the letters. Originally, it was defined as a small bundle of stuff, and really it still is: Stuff We All Get (of course, this is how the "S" is represented in polite circles).
topics: bay area, digital filmmaking, directors, distributors, documentary, dvd, web
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Freeing the films: YouTube’s Screening Room has been presenting short films since June, and is now turning to feature content.
SWAG: Free feature films on the web
Acronyms and abbreviations occupy an ever increasing part of our modern lives. Some of us spend at least a small amount of time pretending we understand them (IMHO) and feeling proud we can actually use them in crossword puzzles (IMHO, the New York Times, Sunday September 14). But this one—SWAG—goes way back. In fact, according to Wikipedia, it’s actually a backronym. Which means it existed as a real word first and then collectively we made up a series of words for the letters. Originally, it was defined as a small bundle of stuff, and really it still is: Stuff We All Get (of course, this is how the "S" is represented in polite circles).
Every glitzy film festival is full of SWAG. One day I will need that expensive rejuvenation crème, thank you Cannes. And the web is packed full of it, too. In the online video world, several burgeoning business models live side by side, vying for our attention on boring panel conversations. Several of these involve paying for content (iTunes Movie store), but others don’t. And on those sites that don’t, the SWAG is just getting better and better.
Here are some browser-based legal zones for free online feature film viewing pleasure. No installation required.
topics: bay area, digital filmmaking, directors, distributors, documentary, dvd, web
moreTo French Polynesia and back with Seesmic
As my ship cuts a sweet line through the South Pacific, it seems that nothing could be further from this distant spot, where there is no land in sight, than the intricacies of the Bay Area Internet industry. When you look at a globe, French Polynesia falls exactly at the point where all other land masses disappear around the curve, and, if you squint your eyes, there is exactly nothing but ocean around it, with maybe a hint of the Americas or Australia.
moreWhat's fair (use) is not foul
Earlier this month the Center for Social Media (CSM) and the Program on Information Justice and Intellectual Property (PIJIP) at American University released a report called Code of Best Practices in Fair Use for Online Video or, as it was immediately zeitgeisted by boingboing, "HOWTO Make online videos without getting sued." For techies in the online world, "fair use," Creative Commons and net neutrality occupy the same level of heaven as bizarre sea creatures, steampunk gadgets and cryptozoology. But the paper also makes a very handy tool for ordinary Joes experimenting in the new creative freak zone of User Generated Content.
topics: bay area, digital filmmaking, directors
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"Using copyrighted images for social commentary:" Jeff Koons (b. 1955), Niagara, 2000, Oil on canvas, 120 x 168", Commissioned by the Deutsche Bank AG in consultation with the Solomon R. Guggenheim Foundation for the Deutsche Guggenheim, Berlin, DGT132.2000, © Jeff Koons.
What's fair is not foul
SF360.org editor’s note: This is the first installment of a new, monthly column by filmmaker and journalist Hannah Eaves on local digital media.
Earlier this month the Center for Social Media (CSM) and the Program on Information Justice and Intellectual Property (PIJIP) at American University released a report called Code of Best Practices in Fair Use for Online Video or, as it was immediately zeitgeisted by boingboing, "HOWTO Make online videos without getting sued." For techies in the online world, "fair use," Creative Commons and net neutrality occupy the same level of heaven as bizarre sea creatures, steampunk gadgets and cryptozoology. But the paper also makes a very handy tool for ordinary Joes experimenting in the new creative freak zone of User Generated Content.
topics: art, digital filmmaking, the web
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